A font design of Paul Zimmermann, first released by Ludwig Wagner, Leipzig, in 1960, now revived and extended by Central European, Baltic, and Turkish character sets and their small caps. This font contains both lining and oldstyle numbers. To get access to all ligatures, it is recommended to activate both standard and discretionary ligatures.
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МИРis MIR.
MIR Next is a growing multi-script type family best described by the terms “humanist–semi–slab-serif”. Its name comes from the old Russian word (Мир) meaning both “world” and “peace” –a unity we will hopefully take for granted sometime in the future.
MIR’s character set contains Latin and Cyrillic, both extended, as well as Greek, covering more than 100 languages. Strong personality along with consistency between language systems were a basic aim when designing the family. Besides letters, a wide choice of symbols and numbers are included, making MIR a very useful tool also for statistics, texts about mathematics and the sciences. Serious things are best be said in an unpretentious, relaxed way. MIR gives typography exactly that kind of appearance. Its texts emit a sense of authority and stay easily accessible at the same time.
KyivType superfamily, consisting of three subfamilies: Sans, Serif and Titling. Fonts have variability in weight and contrast. There are also alternates.
Initiated by Projector, Dmytro Bulanov Creative Büro, and Banda Agency for Kyiv city (Ukraine) identification and promotion. Freeware. Fonts are free for commercial and non-commercial use.
More at Behance
Hybridea is a serif font family which I designed to look strong but elegant.
You can use it as a display font or for longer texts. The name comes from the combination of style elements like curved serifs & big drops. I included all glyphs from all latin and even other languages so you can type them.
I am looking forward to see your products using Hybridea.
Vix no volumus ocurreret maiestatis, quaeque alienum eum te, semper principes deseru
