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SK Mutka fonts from Shriftovik - (byofw)

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.image-kecil img {width:100%;} @media screen and (min-width: 37.5em) {.image-kecil{display:flex;} } .ctabox{border:1px dashed orange;background:lightyellow;text-align:center;line-height:55px;} .cta-strip{border:1px solid #eee;padding-left:5px;color:#999;font-size:0.8em;} .cta-strip .action-cta{float:right;border-left:1px solid #eee;padding-left:10px;padding-right:10px;background:orange;} .cta-strip .action-cta a{color:#fff;display:block} .cta-strip .action-cta:nth-child(2){background:red} SK MutkaSK Mutka is a geometric sans serif made in the style of Art Deco. Its graceful forms are emphasized by the arched...

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SK Pangramma fonts from Shriftovik - (wpqpe)

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.image-kecil img {width:100%;} @media screen and (min-width: 37.5em) {.image-kecil{display:flex;} } .ctabox{border:1px dashed orange;background:lightyellow;text-align:center;line-height:55px;} .cta-strip{border:1px solid #eee;padding-left:5px;color:#999;font-size:0.8em;} .cta-strip .action-cta{float:right;border-left:1px solid #eee;padding-left:10px;padding-right:10px;background:orange;} .cta-strip .action-cta a{color:#fff;display:block} .cta-strip .action-cta:nth-child(2){background:red} SK PangrammaSK Pangramma is a modern universal geometric typeface. For greater universality, it was developed in two stylistic variations: sans serif and slab...

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SK Coisa fonts from Shriftovik - (eiamj)

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.image-kecil img {width:100%;} @media screen and (min-width: 37.5em) {.image-kecil{display:flex;} } .ctabox{border:1px dashed orange;background:lightyellow;text-align:center;line-height:55px;} .cta-strip{border:1px solid #eee;padding-left:5px;color:#999;font-size:0.8em;} .cta-strip .action-cta{float:right;border-left:1px solid #eee;padding-left:10px;padding-right:10px;background:orange;} .cta-strip .action-cta a{color:#fff;display:block} .cta-strip .action-cta:nth-child(2){background:red} SK CoisaSK Coisa is a decorative slanted geometric typeface with a daring character. Its sharp shapes and angles, and indeed the whole structure,...

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